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	<title>MikeStaines.Com &#187; andrew niblett</title>
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		<title>Andrew Niblett and Raku Pottery</title>
		<link>http://www.mikestaines.com/2009/andrew-niblett-and-raku-pottery/</link>
		<comments>http://www.mikestaines.com/2009/andrew-niblett-and-raku-pottery/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 15:27:34 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Arts and Artists]]></category>
		<category><![CDATA[Sculpture, Ceramics and Jewellery]]></category>
		<category><![CDATA[andrew niblett]]></category>
		<category><![CDATA[raku]]></category>

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		<description><![CDATA[The Raku form of pottery, Japanese in origin, though holding its&#8217; heritage in 16th Century Japan, is seen as a resurging art form in ceramic circles. Characterized ostensibly by the molding of the clay in the hands rather than on the wheel, and the removal of the pieces from the kiln whilst still glowing hot, [...]]]></description>
			<content:encoded><![CDATA[<p>The Raku form of pottery, Japanese in origin, though holding its&#8217; heritage in 16th Century Japan, is seen as a resurging art form in ceramic circles. Characterized ostensibly by the molding of the clay in the hands rather than on the wheel, and the removal of the pieces from the kiln whilst still glowing hot, the Raku-ware approach provides an avenue to originality with &#8216;one-of-a-kind&#8217; results.</p>
<p><span id="more-23"></span>Andrew Niblett is a British exponent of Raku-ware. His pieces are diverse and prismatic, often highly tactile and inventive in appearance.</p>
<p><img class="alignleft size-full wp-image-24" title="Single Bowl by Andrew Niblett" src="http://www.mikestaines.com/wp-content/uploads/2009/08/singlebowl.jpg" alt="Single Bowl by Andrew Niblett" width="220" height="294" />Niblett states that he takes inspiration from munitions of warfare and coastal defences on the Normandy beaches.</p>
<p>The following is an extract on technique from his website:</p>
<p><em>All the pieces are thrown in one piece and then turned to refine the form; while the clay is still soft metal bars are added. The pieces are biscuit fired in an electric kiln, and selected areas are masked off before being coated with a copper matt glaze. These are then put through their final most exiting stage, which is Raku. This involves the pieces being heated to 1000°C at which point they are removed from the kiln glowing orange. These are placed immediately onto a bed of sawdust, which bursts into flames on contact giving unpredictable and hopefully amazing results.</em></p>
<p>Read more about Andrew Niblett <a title="Andrew Niblett Raku Pottery" href="http://www.andrewniblettrakupotter.co.uk/index.htm" target="_blank">here</a>.</p>
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